The Bob’s Burgers Movie [2022]: Film Review

A few months ago – I turned on the T.V – flicked through the channels and landed on Bob’s Burgers.I was surprised to find that I enjoyed it. When the show first appeared on UK screens – I didn’t like it and ignored it for years. I’m glad I gave it a second chance. I often find my self watching it in the evening while drinking or editing photos.
Bob’s Burgers has a kind of niche humour that is rather hard to explain – kind of dry – both semi-realistic and absurd. It was a sort of humour that’s different to many other animated comedy shows like South Park and Family Guy that rely heavily on vulgarity – shock value and pop culture references. It’s a polarising kind of humour – which is probably why the show has such a mixed response from audiences. I think that’s why I didn’t like it at first – I was at the other end of the spectrum.
It’s actually hard to tell who Bobs Burgers is aimed at. It appears to be for a general audience rather than a specific demographic.
Recently the 30-min TV show transitioned into a full-length feature film.

It starts with Bob and Linda asking the bank for an extension on their loan. Unfortunately – they are turned down and given one week to make one months payment or face repossession of all their restaurant equipment. Making matters worse – a huge sink hole opens up right on their doorstep – uncovering the skeleton of a murder victim. Bob and Linda – with the help of Teddy – desperately try to make money while Tina, Gene and Louise begin their own investigation into the murder – all in order to save the business.
The high-stakes plot is quite the contrast to the mundane yet slightly weird situations we’re used to seeing in the series – but it’s the movie – so of course the writers wanted to do something big. I feel the humour of the film toned down from the series – perhaps this was to make it more appealing to a wider audience. Regardless of this – I still think it’s something that will satisfy fans of the show.

I’d like to end by saying, I don’t think it matters whether or not I recommend this film. A polarised audience made up their minds about Bob’s Burgers long ago. The only people interested in seeing it will be the people who like the weird humour of the show. The audience reaction to the film was decided before it came out.

The American Astronaut (2001): Film Review

The American Astronaut – as obscure as it is unique. This film has been largely forgotten about and mentioned only on rare occasions in the deepest darkest corners of cinephile forums. Unfortunately the film is not available on any streaming platforms and the DVD is long out of print – pushing it further into the depths of obscurity. The American Astronaut is a musical Space-Western with the aesthetic of a 1950s B-Movie only bleaker.
The story is set in an alternative timeline in which space travel was pioneered by independent roughneck types rather than sophisticated scientists and noble Astronauts.
Here we don’t have any nice Star-Trek style space ships with flashy lights and glowing control panels – we have clapped out amateur space craft that looked like they are held together with tape and made in some ones garage out of whatever junk he could find. It’s a strange aesthetic that belongs in a genre that never came to be. A revision of Retrofuturism similar to now Steam Punk revised Retrofuturism – only this is gritty rather than goofy.
The film was written and directed by Cory McAbee who also plays the lead character Samuel Curtis (and whose band The Billy Nayer Show performed the soundtrack). Curtis is an independent Astronaut drifting from place to place, making deliveries wherever he needs to in order to make some cash. After delivering a cat to a client in a dive bar based on an asteroid – Curtis bumps into his old friend – the renowned fresh fruit smuggler – The Blueberry Pirate (Joshua Taylor) who involves him in a number of shady deals on numerous planets leading to one big score. The only problem being that Curtis is being followed by his old enemy – the murderous Professor Hess.
Despite its absurd story and musical numbers the film is played completely straight – no over the top or comic acting – these parts are played more seriously than those of a Shakespeare play. This crossed with the aesthetic contributes to the films uniqueness and strange feel.
I really enjoyed this one. I think it’s a shame this ones so overlooked. It’s a shame it’s so deeply buried when it has the potential to be a cult classic. The American Astronaut is something I’ll go around recommending to people knowing they may very well never see it.