Deep Astronomy and The Romantic Sciences (2023): Film Review

A while ago I positively reviewed The American Astronaut directed by Cory McAbee.
The other day I watched Deep Astronomy and The Romantic Sciences a new film made by Cory McAbee in collaboration with the art collectives Small Star Corporation and Captain Ahab’s Motorcycle Club.

The film starts out with a man named Rudy drinking in a bar with his friends when he spots a robot in disguise as a human drinking from an empty glass. The robot tells Rudy that in a few days time she will be shot into space as humanities representation to the stars.
What follows is a collection of presentations, musical numbers, animations and tongue in cheek philosophical monologues that make up a narrative explaining why the robot is being sent to space.

The film is undoubtedly eccentric. Its unusual structure and fusion of mediums work surprisingly well.
Deep Astronomy and the The Romantic Sciences is a science fiction film based primarily around ideas. Creative in its concept but simplistic in its presentation it was shot primarily in a bar and a few dozen lecture halls.

Entertaining, humorous and perhaps even a little educational, I enjoyed Deep Astronomy and the The Romantic Sciences. I’d recommend watching it and since the film makers have uploaded it to their website where you can watch it for free and with a run time of one hour eleven minutes you’ve no excuse not to.

The American Astronaut (2001): Film Review

The American Astronaut – as obscure as it is unique. This film has been largely forgotten about and mentioned only on rare occasions in the deepest darkest corners of cinephile forums. Unfortunately the film is not available on any streaming platforms and the DVD is long out of print – pushing it further into the depths of obscurity. The American Astronaut is a musical Space-Western with the aesthetic of a 1950s B-Movie only bleaker.
The story is set in an alternative timeline in which space travel was pioneered by independent roughneck types rather than sophisticated scientists and noble Astronauts.
Here we don’t have any nice Star-Trek style space ships with flashy lights and glowing control panels – we have clapped out amateur space craft that looked like they are held together with tape and made in some ones garage out of whatever junk he could find. It’s a strange aesthetic that belongs in a genre that never came to be. A revision of Retrofuturism similar to now Steam Punk revised Retrofuturism – only this is gritty rather than goofy.
The film was written and directed by Cory McAbee who also plays the lead character Samuel Curtis (and whose band The Billy Nayer Show performed the soundtrack). Curtis is an independent Astronaut drifting from place to place, making deliveries wherever he needs to in order to make some cash. After delivering a cat to a client in a dive bar based on an asteroid – Curtis bumps into his old friend – the renowned fresh fruit smuggler – The Blueberry Pirate (Joshua Taylor) who involves him in a number of shady deals on numerous planets leading to one big score. The only problem being that Curtis is being followed by his old enemy – the murderous Professor Hess.
Despite its absurd story and musical numbers the film is played completely straight – no over the top or comic acting – these parts are played more seriously than those of a Shakespeare play. This crossed with the aesthetic contributes to the films uniqueness and strange feel.
I really enjoyed this one. I think it’s a shame this ones so overlooked. It’s a shame it’s so deeply buried when it has the potential to be a cult classic. The American Astronaut is something I’ll go around recommending to people knowing they may very well never see it.