The Noumenaut: Transcript

My name is Peter Sjosted-H. I am a philosopher of mind, a metaphysician, a metaphysicist, or ontologist.

Well, as a child, that was known as the little philosopher, so I was always asking questions about the reasons for things, as a lot of children do I suppose.But my father had a number of books on Eastern Philosophy, and I remember one book had in the house called Gnani Yoga and I think that caged my interest, that sparked my interest, but of course in school in Britain one couldn’t do philosophy, so I didn’t really know what philosophy was, I just knew that aspect of it, so I wanted to study that, but then I realised that at the time in the 90s it was very difficult to study Eastern philosophy, there were hardly any courses, so I did Western philosophy and then immediately I realised that this was subject for me. I mean, in school, I was most interested in science and art, sort of unusual combination, I suppose, but in a way, philosophy, it’s that. Its that combination.
So anyway, yeah. So I started reading western philosophy from the ancient Greeks. Plato, onwards, before Plato even… and I became very interested in Kant, Immanuel Kant and Nietzsche I should say, as an undergraduate and I’ve never looked back.
Well, I’ve looked back after my master’s dissertation on Kant and Schelling, where I worked for about maybe 12 hours every day for two months nonstop. I really was put off philosophy. But after that, you know, I’ve always… except for that little gap I’ve always been very interested in Philosophy, still am.

Well, I suppose, Kant, Immanuel Kant, he changed my view of reality really. He was a massive influence on me, especially the first and the third critiques.
The reason, I suppose, was that the way I was brought up in Britain, and in Sweden, partially, I was brought up as a materialist or a machinist. It was never explicitly taught, but implicitly that’s the background ideology, presupposed I suppose, in British and Swedish schools.
So reading Kant was very interesting and changed my world in the sense that it was a critique of materialism. I mean, he was an idealist, so he believed that matter was really…
ultimately, matter was an idea, it wasn’t part of reality or noumena. 
At the same time, I was reading Nietzsche, and he probably had more of an influence on me because Nietzsche cut all of the moral assumptions I had – completely overturned my thinking and changed me as a person really. So really Nietzsche, Kant and Nietzsche, completely mind-bending philosophers when you first approach them.
After that, after university I read Schopenhauer, and Schopenhauer was the bridge between Kant and Nietzsche and I realised reading Schopenhauer, how much Nietzsche had actually copied really from Schopenhauer. Schopenhauer in a way was a better philosopher in a sense that he’s more technical, but Nietzsche is more inspiring and Nietzsche did of course advance I should say Schopenhauer’s philosophy from the will to live, from the will to survive, to the will to power. But certainly, for quite a number of years, I was Schopenhauerian. I defined myself that way.

Later on, I became interested in Henri Bergson, the French philosopher, through one of my lectures, Keith Hansel Pearson, also a Nietzschean. He had a huge influence upon me as well in terms of my sort of growing distaste for mechanism and I suppose through the combination of these thinkers I was led to a pan psych-ism which I’m studying now, they led to my interest in Alfred North Whitehead. He’s a sort of… you could say his philosophy is more systematised, Bergson-ism. Whitehead was very much influenced by William James and so I got to William James via Whitehead but also through the theology or the religious philosophy, I was teaching at a college in London. I became acquainted. William James’s work and… Williams had a rather, rather large influence upon me.
I mean, as Whitehead said, “You know, William James hasn’t really got a system of thought but he’s just got a huge collection of interesting thoughts”.
So, at the moment I should say I’m kind of bringing these thinkers together, into what I hope to be ultimately a new philosophy which I call “Power-Process philosophy.”

Did I miss someone now, I’m thinking. Kant, Schopenhauer, Nietzsche, James, Whitehead, Bergson, they’re the main ones.

I mean the Mind Matter problem has been… I mean Schopenhauer says it started with Descartes, the dualist. It’s still unknown or at least it seems no thinkers agree with one another, about what that relationship is. So that’s why I find that interesting because the number of options are high, but ultimately, I think, I suppose it was Kant who got me into philosophy of mind in a sense, because of the notion that everything we see is merely a sort of projection of the mind. Schopenhauer more… maybe with a will as a fundamental essence of all things. Of course I always like to look at Nietzsche from a Schopenhauerian angle and the interest… what interested me the most with Nietzsche, what came to interest me the most was this notion of the will to power, Wille zur Mach, and he was going to publish it, but called “The Will to Power”, however he went mad in 1889 and that was never completed, but there are notebooks.
His late notebooks talk about this concept of the world power. And interestingly, within that,
within those notes and also in published works like Beyond Good and Evil, 36 and the other sections he talks about, and the world power being an effect form a sort of internal aspect of all power or all force.

So within all force, all causality which ultimately is matter energy, the argument was made that year. There is this eminence, this internal sentience as a world, not consciousness, but sentience. A lot of Nietzscheian scholars disagree with that, Maudemarie Clark, but I think it’s there, it’s hinted at.
So I became interested in this idea that within all matter energy, this component of mind. Not fully-blown consciousness, not like human consciousness of course, an element, a basic form of mind and everything.
Through Schopenhauer then, I read Schopenhauer after Nietzsche. He alludes to this inner aspect being will, at a drive, a desire almost. Schopenhauer at one point, spoke about plants having a basic form of mind, basic form of satisfaction.
Bergson also spoke about it in organisms, this element of mind, but it was really… but really through I think Nietzsche and Schopenhauer, I was pushed, and Bergson, into Whitehead.
Whitehead’s known as a pan-experientialist, which is his, Griffin named Whitehead’s version of pan-psychism.
Pan-psychism then is a view that all of reality contains elements of mind and its Whitehead who really comes up with the most systematic account of how that’s possible as displayed most prominently in his book ‘process and reality of 1929.”
Yeah so, really I was led to this notion of pan-psychism ultimately from Nietzsche in count, from Nietzsche to Whitehead, and Whitehead had really put me off Schopenhauer because Schopenhauer’s main work is called “The World’s Will and Representation” and Whitehead has a great argument against representationalism. That what we perceive is actually part of that thing. So with Schopenhauer and representationalism there is the subject who represents the outside world and of course for Kant and Schopenhauer to lesser extent, the outside world is completely unknown, but Whitehead says this is an assumption, really, it’s because the relationship between subject and object,
is not one of external world to representation, but rather of whole-to-part. So in other words, my view of things, my perception of things is actually an aspect and a minor part of those external things. There’s no real dichotomy. No real distinction. So in that sense, I feel like I owe became Schopenhauer. The problem of representationalism is, one of the problems is it will always lead to solipsism, which is, you know, this old view, you that… how do you know that what you see is real?
You know, how do you know you’re not living in a dream or in the matrix or whatever.
Schopenhauer I remember saying somewhere it said, “This is a problem, but it’s like a citadel in a battle, you can’t… you can’t defeat it, you can’t knock it down but you can just walk past it and continue the war.”But a with a way ahead you can knock it down. Interestingly, if you accept what his arguments… so yeah, Whitehead then, I was already on the path to pan-psychism and Whitehead provided a good foundation for it. A good system for it. But there are still a number of issues with that, like the combination problem, pallet problem and so on.
And what I’m looking at at the moment is whether “pan-psychism can provide help towards the problem of mental causation, which afflicts, still a philosophy of mind but, so briefly the problem is this, if we live in a purely physical world, then the implication is, that mind, thought, desires, or reasoning can have no effect upon that world upon yourself.
So if I really spend a lot of mental effort trying to work something out, a mathematical equation, whatever it may be, or Hegel, whatever, whatever.
If I spend a lot of time to work something out, if you’re a pure physicalist, this is very problematic because that meant there should be no direct power from the mind to the body.

[Pause]

But, there seemingly is because if there isn’t, you can ask questions like “Well, why then do we have… why then does mentality, consciousness, sentience exist at all?”.
Karl Popper Spoke about this problem in evolutionary terms. He said the problem with epi-phenomenalism, which is the view that the mind is and epi-phenomena of the body, the brain has no causal influence.
Tomas Huxley came up with a term. He said It’s like steam coming off a train, you know, it’s there, mind is there, but it can’t do anything. The problem with that of course Karl Popper pointed out was that that…well, if it’s the case that mentality has no power, in other words if there is no mental causation why did mentality evolve?
I mean, okay, there exist vestigial organs. But vestigial organs, once have a purpose, but mental, for epi-phenomenalist, mentality could never have had a purpose and not only in humans, of course, we presume that a lot of other animals have mental powers, mammals, at least.
So why did this evolve in numerous animals if it has no impact upon the world at all, it seems, Popper says, anti-evolutionary point of view.
So there’s… interestingly, evolution against physical-ism. The view that only physical entities have powers. So what I’m looking at now is whether pan-psychism can inform this debate. So from a Whiteheadian point of view, and from a Nietzscheian point of view, to a certain extent.
If every element of matter-energy has an aspect of sentience, that means that all physical causation already is mental causation. If that’s the case, then there is not physical causality for forces in nature and mental causality, but rather physical causality already involved mental causality and our misunderstanding is a result of an uninformed view of matter, matter energy. So when we look at this, something Burman Russell spoke about as well.
We have differing concepts of what matter-energy is… but if you look historically, it has evolved, the concept of matter has evolved itself.
I mean, it started with Democrates in ancient Greece, but with Maxell get the addition of electromagnetism so on and so forth. So I don’t think that we’ve reached a sufficient understanding of matter-energy yet, and my view and I think it’s the most plausible view is that the more we understand about matter-energy, the more will understand that sentience is an aspect of it already. And once you accept that, then you’ve more or less accepted pan-psychism. And then the problems of mental causation as opposed to physical causation. Those problems become effaced.

Psychonautics, or Numanautics…well, when I was teaching A level philosophy I was roped into teaching religious studies as well and part of that was teaching the arguments for God, the existence of God. You had the ontological argument, cosmological, teleological, and so on, but there was one.. wasn’t really an argument, but there was one reason for believing in God, that was not based on logic, but rather based on experience, the argument from experience, which is simply that if you’ve had this experience, you know, and that experience is noetic.
In other words the experience itself contains an element of certainty as to its veridicality. Subjective truth.
Anyway, when I was teaching this in my 20s, mid 20s or so, I couldn’t find an argument against it, because as I say… it wasn’t a logical argument.
It was just either you know, or you don’t. At the same time I was reading William James, in particular, “The Varieties of Religious Experience,”where in he talks about the religious experience, or, the mystical experience as being one which can be brought on by the use of chemicals and in this book he starts off with alcohol.
Its the first step in the mystic consciousness, he says and he goes on to ether, of course, William James as famously experimented with nitrous oxide, in fact he said he understood Hegel only after taking copious amounts of nitrous oxide.
Anyway so having read this, I was quite eager to try this experience also, because I was getting into the Philosophy of mind more than I should say and if you really want to understand the mind, obviously, it’s better if you’ve experienced more facets of the mind.

So one day, it was a half term. I was teaching in London, and I returned to my family home in Cornwall, and I was walking through these fields, in November or so with my brother, who was an amateur mycologist, a mushroom expert and he said: “Peter. I think these are magic mushrooms here.” I thought “Really? Well, okay, uh, I’ll just pick some then”
(Laughs)
And I did. There were many, I mean, a hundred or so. And I picked all of those then… and then I took them home and I sort of checked on the Internet whether they were the real, the real deal or so. They were quite distinctive; these Liberty caps that grow around this country.
They were. So I dried then, so I took them back to London and then…I took a small dose, I remember, just to make sure I wouldn’t die and to see a film at the cinema, I can’t remember what it was, but it was this amazing 3D film, but afterwards I discovered it wasn’t actually a 3D film, that was part of the mushrooms kicking in, but it was a low dose.
A week later I took a high dose, a relatively high dose of these liberty caps and it was a life-changing event. Really, it was just so incredible. The experience was so incredible, the first way in which it changed me, is simply to make me realize how powerful the mind can be.
A lot of people when they think of psychedelics, they think of sort of kaleidoscopic colors or what not, patterns, but it’s so much more than that.
I traveled, with eyes closed I traveled, It seemed as if I travelled through space, I met these gigantic spacecraft or were they organisms?
I wasn’t sure, many of them seemed to try to communicate with me,
I remember going through this giant tunnel full of golden cloud at the same time as this incredible visual. I experienced these feelings of eternal bliss and satisfaction.
Unbelievable, I mean, really… something completely different to normal consciousness.
I mean a lot of demonic beings as well.
I had these experiences, I remember, of this wall full of skulls or each of which was surrounded by this sort of luminous blue electric light which were coming towards me and I remember seeing at one point, some huge devil figure. So looking down at me, not talking, but seemingly trying to communicate. It’s a feeling you can’t really explain. The feeling that someone is trying to tell you something without the auditory complement. But anyway, I thought I saw the devil, and then I thought I became the devil and I was quite happy with that and as well as that, I noticed when you study philosophy of mind or psychology, you get these taxonomies of consciousness.
So there are emotions and there are visions, and there are concepts and there’s reasoning, so on and so forth, different levels of attention and what not, but all of that taxonomy was really sort of smashed in many ways by this experience,
I realised that, for example, a visual sensation could, at the same time be a concept and again, William James called mystical experiences ineffable which means there exists no words in which to express these experiences, and that’s pretty obvious because these experiences are not common and so we have a developed language to match them.
But anyway, I realised that taxonomies of consciousness where only a small fragment of the vast possibilities of consciousness.
So then I realised of course that… Okay, here’s a whole new field of inquiry, to pursue in relation to the philosophy of mind.
Realising that, afterwards I went to look at the literature [shuffling]
and I was quite surprised to discover that there is not much philosophical logical literature on psychedelics.
Of course you’ve got the classics, Aldous Huxley’s “Doors of Perception,” “Heaven and Hell”, and so on. But he wasn’t really a philosopher. Philosophers of mind don’t touch it.
Unfortunately, when psychedelics came in to blossom in the ‘1960s and concomitantly the philosophy of mind is very reductivist, so you had a lot of philosophers didn’t even believe in consciousness, you know, behaviorists, functionalists, eliminatists, and so on, identity theorists.
But anyway, consciousness was not seen as a worthy field of inquiry, and so, unfortunately, all these reports from these, you know, at the time, hippies, whatever, psychedelic experiences were, for the most part, not always, but for the most part, ignored.
But now we’re witnessing the so-called Renaissance and psychedelic studies, and concurrent with that in the philosophy of mind, we have various different theories as to how mind and matter are related.
Reason being all the former ones have sort of reached an impasse.
So now, I think, you know, there’s… we’re much more open to possibilities of analysis with regard to psychedelics and this is what I’m hoping to contribute to slightly.
So my book Numanautics introduces the reader to psychedelic experiences, psychedelic consciousness, in relation to different philosophies of mind. I’ve applied Whitehead’s philosophy to it, in a couple of articles.
But there’s still so much more to be analyzed, so much more out there,
so it’s a very exciting new field of philosophy, really.

The psychedelic history of philosophy. well, part of my crusade to make psychedelic experience more of an interest to other philosophers, psychologists, and so on… part of that crusade was to highlight great philosophers of the past who might have used psychedelics.
So I did the research and it seemed most likely that this all started in ancient Greece with Plato… well, before Plato, but famously from Plato, because Plato and Aristotle and on… most Athenians attended these mystery festivals in Eleusis, which is a sort of a little town thirteen miles or so from Athens.
In ancient Greece, two and a half, three thousand years ago, once year there was the lesser and the greater festivals, and in these mystery festivals, a potion had to be drunk just before the final phase, and that potion was called the kykeon and it ostensibly consisted of barley water and mint. But there was a specific dose of this potion to be drunk and after the potion was drunk, from the history, the reports we have of these festivals, they were mystery festivals, so they were not really supposed to be spoken of. But the reports we have always speak of the visions, people have in this Dark Temple, Temple of Demeter and Plato himself in a book called “Phaedo: on the Soul”, he writes about these mysterious apparitions he has seen just before he introduces what he is traditionally famous for, which is the notion of substance dualism: the distinction between the body and soul and his idea of the forms or ideas in other words, a transcendent realm, beyond space and time, which contained the pure ideas such as beauty, justice, truth, and so on.
Anyway, so it seemed that Plato also said that he wanted to be included or counted amongst the followers of Dionysus, in other words, the true mystics. So it seemed as if… seems more likely than not that Plato had these psychedelic visions. And what the actual chemical was is unknown, but Albert Hofmann, who created LSD, he claims it was probably ergot, which is a parasitic fungus growing on wheat and barley and so on, and next to the Eleusinian mysteries, there was this Rarian plain full of barley. So he said it was very likely that this contained this element of ergot, which is, the basis of LSD, and this was responsible for the visions thereafter in the mystery festival.
But you know, other people say it wasn’t ergot, it was something else. Another chemical, I don’t know, but like I said, it’s more likely than not that it was a psychedelic compound, thus in Plato, we see that these visions, experience, probably from a psychedelic compound, inspired his substance dualism, and theory of forms and Alfred North Whitehead is most famous for saying that all of western philosophy is a series of footnotes to Plato. So when you put those two together, you realise that western philosophy… it’s very likely that Western philosophy was triggered by psychedelic intake. At least that’s my conjecture.
So we start with the Ancient Greeks, the Eleusinian mysteries were closed down by a Christian emperor, Roman Emperor, Theodosius in the late fourth century.
Then we had Christian rule the Dark Ages, and you had a number of theologians talking about mystical states, of course. But in terms of philosophy, there’s really a return to psychedelics or mystical consciousness, you could say with Humphry Davy… a penzance man, were now in penzance… Humphry Davy has a chair in this very library, but Humphry Davy in 1800, he published a book on nitrous oxide and it seemed to inspire Humphry Davy, an idealist point of view, no doubt with Kantian influences, you know, Kant’s transcendental idealism was becoming popular then.
Humphry Davy himself called himself a chemical philosopher. So in that sense, he was a sort of first modern psychonaut.
Psychonaut term coined by Ernst Jünger, 1970.
So, Humphry Davy speaks about the joys bequeathed by nitrous oxide, laughing gas, which is a psychedelic. Thereafter you have other philosophers interested in it.
I mean, Schopenhauer never spoke about that explicitly except for saying that wine and opium can induce creativity. Opium in high doses can be psychedelic and induce visions.
Concomitantly, there was Thomas De Quincey, who wrote “Confessions of an English Opium Eater”, where he talks about these great visions inspired by opium in his dreams.
He was, Thomas De Quincey was one of the first English commentators on Kant, so we see the beginnings of psychedelic philosophy there.
As we go forward in time, well, we get thinkers such as William James, like I said, he wrote about the mystical state and the varieties of religious experience, the first element of it being brought on by alcohol and ether then nitrous oxide, and he wrote a number of articles about his experiences with nitrous oxide.
Interestingly, with James, one of its later books, 1909, “A Pluralistic Universe”, in that laterbook, he became a fully fledged pan psychist, following the thoughts of Lequier, Bergson, Hegel to a certain extent and it seems as if there’s one passage where he talks about religious experiences as being intuitions of this pan psychism, something else I’m looking out at the moment whether psychedelic consciousness can put forward a certain ontology.
Patrick lundborg he wrote… quite a few years ago, but he wrote that psychedelic experiences sort of inculcate a kind of Pantheism, interestingly.
But anyway, so you had William James harping on about the great qualities of chemically-induced experiences, the word psychedelic hadn’t been coined then. That was coined later by Humphry Osmond, in the mid-20th century.

[Pause]

We see a lot of drug use, psychoactive drug use in the works of Frederick Nietzsche, which I can speak about separately, in a moment. Opium, chlorohydrates and so on.
Coming to the 20th century, we see for example, Ernst Jünger famously, he was a very good friend of Albert Hofmann, again, the LSD creator, like I said, he coined the term psychonaut in the book of 1970 drugs and intoxication, Jünger talks about the insights that can be had from LSD, and Psilocybin and so on.
Albert Hofmann devotes a entire chapter towards ** thoughts in his book, “LSD My Problem Child.”
Jünger was a controversial figure, he was a decorated captain in the First World War, German.
He was… no, not a Captain in the First World War, soldier, but I think he was a captain in the Second World War, for the Nazis, although he was loosely involved with the assassination attempt on Hitler.
But anyway, he was a bit elitist on psychedelics and thought… he said against Aldous Huxley,
He thought drugs should not be given to the masses, the truth is they can reveal… they can be quite dangerous and should only be for the few.
Walter Benjamin also wrote books on Hashish. He died during the Second World War, possibly from a morphine overdose.
Interestingly, Walter Benjamin had an experience, based on mescaline I think, about Nietzsche’s sister. Nietzsche’s infamous sister.
But his writings on mescaline and cannabis were never systematically written… but there is a book On Hashish from him, which is posthumous.
Foucault wrote about LSD to a certain extent, 1970, I think. Deleuze, Guattari in a negative way.
Foucault planned to write a book on drug use in the West, but he died unfortunately before that came to fruition.
A.J. Ayer Interestingly, the kind of Richard Dawkins atheist-type figure of his age. He died in 1989, I think. To my knowledge, never took psychedelics, he did have a psychedelic-like experience, which was a near death experience, where he said he saw two figures trying to put together the framework of space and time, and interestingly, he wrote an article on The Telegraph about it, saying that although it doesn’t make him a theist in any sense, it has now made him question whether death is the end of consciousness.
So I think that, in a way, when you read his report, that it could have been a psychedelic experience. It was obviously the same kind of thing, just induced in a different manner, hypothermia I think. But if a psychedelic experience could make A.J. Ayer of all people radically changes views on the afterlife like that, then that’s just indicative of the potency of these chemicals in philosophy.
Yeah so, A.J. Ayer died in 1989. Then there isn’t much really in the modern ages, I mean, I’ve said Patrick Lundborg, who was a sort of home-grown philosopher, he wrote a great book called “Psychedelia”.
But then, like I said, this is a young field, a young science, wissenschaft, and the best is yet to come.

I was quite interested to learn about Nietzsche’s use of psychoactive drugs,
which seems to be an ignored aspect of his thought.
Again, to reignite the debate about psychedelics and philosophy, I looked into into his use and discovered… what I discovered was rather surprising really.
So, Nietzsche’s father died when Nietzsche was very young, a boy of five, of softening of the brain, whatever that was, at the time and Nietzsche teenager became very myopic and suffered a lot of migraines and as a result was put on medication from an early age. And these ailments plagued him for the rest of his life and some people believe that… most people, really, believe he went mad in 1899 due to Syphilis.
But this is questioned a lot now, some people say it was brain cancer, which might have been softening of the brain…
Nietzsche’s own sister and mother claimed it was due to abuse of drugs.
So I looked into this. So Nietzsche started taking a lot of opium, he wrote to his friends, Lou Salomé and Paul Ray, that he had overdosed on Opium and made him come to reason.
He took a lot of opium. Lou Salomé said that “Zarathustra”, his main work really, I mean, Nietzsche always claimed that was his main work, was very much inspired by his Opium dreams.
So there you have an example of where, again, if you include Opium as a psychedelic, and certainly if you look at Thomas De Quincy, you would agree that Opium induced dreams are certainly analogous to psychedelic experiences, then you see that the book “Zarathustra” was highly indebted to psychoactive intake.
Nietzsche was also a heavy user of chloral… and mixed with water, that’s chlorohydrate, which he mixed with potassium bromide and interestingly, this was a concoction also taken by the English writer, Evelyn War, who wrote a sort of semi-autobiography called “The Ordeal of Gilbert Pinfold”, which was his, or Pinfold’s experience of being on a ship, and hallucinating that people were trying to kill him, and so on, and seeing things, hearing things that weren’t there.
This was brought on by the same drugs that Nietzsche was on. There’s an account by one of Nietzsche’s female companions, of how when she went to his house, Sils-Maria, she found him white as a ghost, leaning on a wall, saying that flowers where en circulating his body.
She also said that as a doctor, and Nietzsche was a doctor of philology, but as a doctor he could go into any pharmacy and acquire any drug he wanted, and he did.
And Nietzsche says that he was always surprised that no pharmacist ever asked and whether he was actually a medical doctor.
Nonetheless, all the drugs available at the time in the late 19th century, at least in Switzerland and Italy, in Europe, Basically, were available to him, so we don’t know exactly what he took, but we know at least he took, like I say, Opium, potassium bromide, Chlorohydrate.
His sister also speaks about a Javanese narcotic that he took, which, if true, would most likely have consisted or the act development would have been cocaine.
So here we have a man who was terribly afflicted by migraines and poor vision and what not, who tried to alleviate these symptoms through the use and mixture of a number of psychoactive drugs.
These drugs I argue inspired his philosophy to certain extent, like “Zarathustra”. He also writes about poppies, opium in the Joyous Science.
He also talks about having inspiration in terms of hearing a voice, giving him ideas. Auditory hallucinations in other words.
He also, of course, begins his whole philosophical career about writing about the joys of intoxication in the birth of tragedy, and that book of course, features, the god Dionysus, the God of intoxication.
Dionysus returns to Nietzsche in his later works. I mean, the last sentence of his autobiography says:
“Have I been understood? Dionysus against the crucified.”
He came to say in his letters, “I am Dionysus.”
Dionysus, as I say, god of intoxication. He was a disciple thereof, and so the fact that he took drugs, which influenced that philosophy, should not really surprise us.
But it does surprise a number of people, because there was this feeling that a number of allegations had been made against Nietzsche’s later works that they were the work of a mad man, like I say, he fell into cognitive decline in 1889, died in 1900. A lot of people say that we should dismiss his later works because he was mad at that point already.
and so, the notion that he was also intoxicated by a concoction of drugs was a sort of no no for people defending Nietzsche.

So that’s why I believe that his drug use was not really investigated thoroughly.
But I wrote an essay about it, and that is a chapter in my book, “Numanautics”
so… more information there.

Neo-nihilism. Its text, I wrote, It’s a book in its own right, but it’s also chapter in “Numanautics”.
Its a book I wrote, or a text I wrote a number of years ago.
At the time I was studying a lot of 20th century meta-ethics people like Stephenson, Mackie, And as always, I was reading Nietzsche, Schopenhauer, and others, David Hume.
And I had read this book called “Might is Right” by Ragnar Redbeard, which is, although it’s a bit crazy in parts… parts on cannibalism for example… the style was very powerful.
So I thought I’d try to emulate something like that style, also incorporating a bit of Nietzsche’s style, and Schopenhauer himself wrote about style, writing style, so I thought I’d try to sort of incorporate all of this into one concise text, and that text then was Neo-Nihilism the philosophy of power. Its purpose is… its ultimate purpose, which is not moral, is to try to show that all moral propositions, such as you ought to do this or you ought not to do that, can never be factual and I did this by incorporating tools such as Hume’s Is-Ought gap.
I then looked at Schopenhauer’s view on ethics. Schopenhauer is very interesting because although he was a Kantian in terms of ontology, he absolutely rejected Kant’s Deontology, his moral theory. In fact, I think Schopenhauer’s criticism of Deontology is fatal. 
Ultimately, it’s this that a categorical imperative, as Kant calls a proposition such as you ought not to break promises, always such a proposition must always imply an “If clause.”
In other words, an end. So one never ought to break a promise, if one wants to be trusted for example.
But in all cases of a prescriptive moral proposition such as that, always there is implied the “If clause”, even if it’s unspoken of or denied, even, as a Kant denies it.
He calls such categorical imperatives as opposed to hypothetical imperatives.
So Schopenhauer said any time you try to say a person ought to do this or ought not to do that, you’re really trying to force that person to act according to your own will.
That’s what it comes down to. Nonetheless, Schopenhauer, although he said there’s no such thing as prescriptive morality or normative morality, nonetheless, he pushed his descriptive morality, which is simply that although you can’t logically tell people what they ought to do, nonetheless you can still admire people’s qualities, their compassion, and what not. But people are born this way. It’s nothing they can change, according to Schopenhauer.
Now, interestingly, Schopenhauer also uses the term “slave morals” which Nietzsche came to be known for, but although Nietzsche was very much inspired, I believe, by Schopenhauer’s critique of Kant’s Ethical Theory, Nietzsche nonetheless advanced it himself
in that he also thought Schopenhauer’s descriptive theory was based on a legacy of Christianity, or Christian morals, slave morals.
I mean, ultimately, Schopenhauer said that all these prescriptions come from theological imperatives: thou shalt do this, thou shalt not do this, the commandments.
God, ultimately… so when Nietzsche said god is dead,
It meant that if you don’t believe in God as the substantiation of moral facts, then you have no right to believe in Christian morality, and for Nietzsche, Western morality as we know it is Christian morality.
Even if you’re an atheist, in most cases, you will still push a Christian morality. 
So Nietzsche went one step further than Schopenhauer by saying that even your descriptive morality then has Christian assumptions and that’s why Nietzsche said, “I am not a man, I am dynamite.” Because he was the first person to really criticise morality from its core.
Morality as we know it. So this, in a sense, leads one into a nihilism.
Nietzsche had different… you can call Nietzsche a nihilist or you can call Nietzsche an anti-nihilist… it depends what you mean by nihilism… 
Nietzsche speaks about active and passive nihilism for example… but nonetheless, in Neo-Nihilism I’m talking about active nihilism, the sort of destruction of common morals.
So I tried to put this in a concise fashion in this hyperbole, in the book. And then one thing I did to differentiate it from modern Non-Cognitivism or Error Theory or whatever, is to say that these moral prescriptions these propositions are ultimately based on power incentives. This is the real driving force, which is mostly subconscious. Power. And in order to substantiate that, I had to bring in Nietzsche’s theory of the will to power as the core element of reality.
And so I wrote… this is about to 12-13,000 words.
I published it online just to find out how that works even. It sold.
It sold a bit here and there. I was pleased for that. One day suddenly I had a massive spike in sales, and I had no idea why… about a week later I’d discovered that writer *** is quite a famous writer for Marvel Comics, and DC, and and so on.
He had reviewed the book in his blog or newsletter or something… and yeah, this led to this spike in sales.

Psychedelic experience, or psychedelic phenomena, and its study psychedelic phenomenology, has in our culture, traditionally been deprecatingly deemed as a risk-laiden dice for death or madness, or, country-wise, yet impudently as a comical quirky brain epiphenomenon of little consequence. Both approaches to psychedelic phenomena are woefully wrongful roots and block its true significance.
Psychedelic phenomenology can be an experience of inhuman aesthetic heights, which embraces the sublime and the beautiful, and can transcend to dimensions still further.
Psychedelics hazard to our health is minimal. The history of the prohibition, and condemnation grounded not in wisdom, but in politics.


Prophet of Decay: An Introduction to the Philosophy of Oswald Spengler

Prophet of Decay: An Introduction to the Philosophy of Oswald Spengler was a limited print pamphlet published by Parallel-Aesthetics in October 2019. An abridged version of this text was delivered as a lecture a few days after publication.
Here the text appears online for the first time.

During his lifetime, Oswald Spengler was one of the most widely read Philosophers in the Western world. In spite of their complexity and scope, his books were widely-discussed best sellers before drifting into obscurity in the latter half of the twentieth century.

This piece is intended to serve as an introduction to the life and work of Oswald Spengler and present his ideas in their historical context. A particular emphasis will be placed on The Decline of the West, Spengler’s magnum opus.

Oswald Spengler was born in the small German town of Balkenburg on May 29th 1880. He had three younger sisters and his father was a humourless, duty bound postmaster. You can imagine the crowded, oppressive nature of the small apartment which they all shared together.

Young Spengler would often take refuge in the local libraries. A voracious reader, he would indulge not only in the literature of Antiquity but also in such topics as mathematics, chemistry, biology and history. After graduating from the local gymnasium (Prussian high school), Spengler went on to study mathematics and natural sciences at the universities of Berlin, Munich and Halle. Inspired by Goethe, he would occasionally take breaks from his studies to visit Italy.

Upon finishing his thesis on Heraclitus he undertook exams to become a teacher. Spengler had a successful career as a teacher, holding positions at several schools across Germany at different points of his career. His final teaching post was at a new, understaffed school where he was required to teach many different subjects.
He was deeply respected, popular among students and staff alike. In 1910, they assured him he would be missed as he took a year of paid leave. Spengler never returned.

During the year that followed Spengler lived a modest life supported by both his pay and inheritance from his mother. He would on occasion earn a little extra money writing articles for magazines. He became deeply moved by the Agadir Crisis of 1911 and commenced that which would become his master work: The Decline of the West (Der Untergang des Abendlandes).

Originally, Spengler intended to write only of Germany. However he soon broadened his scope and would eventually produce a long and complex two volume work on the subject of civilisation itself. In it, Spengler sets out to find something that we may call a metaphysical structure of human history, something that is that is essentially independent of the outward forms: social, spiritual, and political.
Spengler was critical of the Western view of History. He rejected both the concept of liner history originating from Abrahamic eschatology, and the division of history into epochs such as Ancient/Classical, Medieval and Modern. It could be said that Spengler viewed this interpretation as being too Eurocentric, problematic when applied to other cultures and of insufficient utility to address humanity as a whole. Additionally, Spengler saw the Classical epoch as its own civilisation, with its own history and culture, almost wholly alien to the modern world which could not be seen as a direct continuation of it (contrary to popular assumption). In Spengler’s analysis, the linear view history is rejected in favour of a morphology.

Decline of The West does not go into much detail regarding the early development of cultures. These early stages consist of incoherent structures of clans, tribes and individuals which go on to build settlements and towns that grow into cities. They develop cultures which develop in isolation, inward- looking, as the people seek to discover themselves and establish an identity. The culture becomes more and more sophisticated to the point where this internal, inward-looking growth stops, and the culture grows stagnant and becomes a civilisation. This is stage is the high watermark – the peak – and having reached this peak a civilisation begins to decline.

Cities grow larger, into mega-cities. The inhabitants develop a great disdain toward the “backward”, more traditional rural folk. A great shift from religion to rationalisation takes place, a phenomenon which can sometimes be marked by the presence of an individual thinker (Socrates, Buddha, Rousseau). Unable to continue its internal development, the civilisation begins to expand outwardly. A civilisation can continue to exist thousands of years after its creativity has been totally spent, thanks to this reflexive expansionist instinct.

Spengler avowed that this process had occurred at least 8 times throughout human history. The 8 civilisations which he identified were:

Babylonian
Egyptian
Chinese
Indian
Classical (Greek / Roman)

Arabian (Magian)
Western (Faustian)
Mexican (Aztec / Mayan) [01]

The majority of the book focuses on the Classical, Arabian and Western; while the others are mentioned rather passively and without much detail.

Cultures develop their own perspectives and world-feelings, each culture has its own unique spirit. Spengler spent much of the book describing not only the spirits themselves, but their manifestation in culture. One of the early chapters of Decline is a rather lengthy description of the differences between the classical view of mathematics and the Western faustian view of mathematics, similar chapters latter appear regarding the topics of psychics and time. In his description of Faustian Civilisation he writes several pages on how the spirit can be seen in the colours and brush strokes of renaissance paintings. Such varied subject matter combined with a sententious, bombastic and typically Germanic writing style can make the book rather obtuse to the contemporary reader.

Spengler tells us that the Egyptian soul “saw itself as moving down a narrow and inexorably prescribed life- path to come at the end before the judges of the dead.” [02] The pyramids and other examples of great Egyptian architecture are not simply buildings but a path enclosed by mighty masonry. [03] The feeling of defined direction is suggested in the way that tomb paintings appear in rows. “But where as the Egyptian treads to the end a way that is prescribed for him with an inexorable necessity, the Chinese wanders through his world.” [04] The Chinese spirit connected to God and the ancestral tomb not through masonry, but through benevolent nature. Rocks, plants, and gently flowing streams. Spengler sees Chinese culture as the only one in which the art of gardening has grand, religious significance. The image of a stroll through the garden can be seen as a representation of how the Chinese spirit envisions life as pilgrimage.

Borrowing a term from Nietzsche, Spengler identifies the Classical Spirit as the Apollonian – for whom the essence of existence expressed itself in visceral, physical form. The activities and speculations of Apollonian man were based in the here and now, he abhorred the idea of size and distance. Geometry alone, of all mathematical disciplines, appealed to the Apollonian man.“The free-standing nude statue, with its harmonious contours and untroubled gaze, symbolised in visible form the classical attitude of personal detachment and serene acceptance of an inscrutable destiny.” [05]

“In opposition to [The Apollonian] we have the Faustian soul, whose prime symbol is pure and limitless space, and whose “body” is the western culture that blossomed forth with the birth of the Romanesque style in the tenth century on the Northern plain between the Elbe and the Tagus.” [06]

In his later work Man & Technics Spengler sees early manifestations of the Faustian Spirit in the explorations of the Vikings, “thrusting insatiably out from the Far North into the infinite.” [07] The spirit of the Western man is eternally restless and always longing for the unattainable, thus Spengler sees it characterised in Goethe’s Faust.

The Faustian fascination with limitless space found its first aesthetic expression in the skyward-reaching spires of the European Gothic cathedrals, finding a new outlet in the perspective and colours of Renaissance and seventeenth century painting, before finally finding its home in Music; a medium uniquely able to sufficiently express an abstract sense of spiritual infinity.

The springtime of the Faustian culture occurred during the Gothic era. The period that followed was the Renaissance. Spengler disagrees with the idea that the Renaissance brought about a revival of classical culture as many would like to see it. The Apollonian was not be resurrected. The era remained Faustian. In addition to this, the renaissance interpretation of Classical culture was neither new or original. This interpretation did not only exist during the previous era, but was in fact the dominant interpretation during the late Gothic era! Martin Luther’s reformation, however, brought about a huge cultural shift. The Priests no longer served as an intermediary link with God, whom Western man now faced alone. The enormity of this change was difficult for many to process. For Luther the intellect was the handmaid of theology. However science, post- Luther, was not the servant of God but the servant of the Will to Power.

This occurs in every culture. There is an upsurge of religious faith, which then faces a great deal of intellectual criticism and rationalisation. Science replaced religion, religious moral concepts became secularised This leads toward the final stage, the stage of decline – civilisation.

Not all Cultures follow the morphological structure.

“In a rock-stratum are embedded crystals of a mineral. Clefts and cracks occur, water filters in and the crystals are gradually washed out, so that in due course only their hollow mold remains. Then come volcanic outbursts which explode the mountain; molten masses pour in, stiffen and crystallise out in their turn. But these are not free to do so in their own special forms. They must fill up the spaces available. Thus there arise distorted forms, crystals whose inner structure contradicts their external shape, stones of one kind presenting the appearances of stones of another kind. The mineralogists call this phenomenon Psudomorphosis…[07]

By the term “historical pseudomorphosis” [Spengler proposes] to designate those cases in which an older alien culture lies so massively over the land that a young Culture cannot get its breath and fails not only to achieve pure and specific expression-form, but even to develop fully its own self consciousness. All that wells up from the depths of the young soul is cast in the old moulds, young feelings stiffen in senile practices, and instead of expanding its own creative power, it can only hate the distant power with a hate that grows to be monstrous.” [08]

Spengler sees pseudomorphic development occurring in the development of both Arabian and Russian culture.
“In the decades before the birth of Christ, between the Nile and Tigris, the black sea and South Arabia, the Magian spirit awoke to life.” [09]

Roman political power and Hellenistic culture dominated the lives of men, forcing any new way of feeling to express its self in preexisting forms of art and culture – twisting them to fit fresh purposes. The youthful Magian soul and the ageing Classical civilisation lived side by side in overlapping territories. Many of the achievements of the Late Roman period such as Neo-Platonism, the Dome of the Pantheon and the government of Diocletian and Constantine are all manifestations of the Magian spirit. This youthful spirit would find its independent embodiment in the eastern part of the Empire, in Southern Arabia.

Spengler sees the Magian spirit bringing a sort of spiritual unity to the Eastern Mediterranean, and this union became stronger with the growing dominance of Islam. However, this lead to a split with West as its own culture and spirit came into being.

“A second pseudomorphosis is presented to our eyes today in Russia.” [10]
This case differs from the previous as there was no raging civilisation to crush or distort the development of the new culture. Rather, a neighbouring (Faustian) culture, still in the vigour of full creativity, prematurely awoke the Russian Spirit which was then distorted by the brutal Europeanising of the nation by Peter the Great. Spengler did not name the Russian spirit nor did he characterise it. But he characterises Russia’s past as Tolstoy, and her Future as Dostoevsky.

Spengler set him self the goal of finding the where the West was in the morphological cycle, and as the title suggests it is in decline. It has reached its peak, hit the point of civilisation and entered its final season. Much of the second volume documents the stages of the decline of Western civilisation.

Outward expansion is on the horizon. “Ever since Napoleon, hundreds of thousands, and latterly millions, of men have stood ready to march, and mighty fleets renewed every ten years have filled the harbours.” [11] Civilisation will attempt to force its shallow secularised morality on other cultures, in various wars of aggression in which the whole world will contend.

The coming of the civilisation phase was followed by the dominance of Money. Financial capital ruled over the chaos of the Great War and the Weimar Republic.
“The private powers of the economy wants free paths for their acquisition of great resources, no legislation must stand in their way. They want to make the laws themselves, in their interests, and to that end they make use of the tools they have made for them-selves, democracy, the subsidised party.” [12]
Those who maintain the culture-spirit would find this deeply sickening.

Spengler held great skepticism toward democracy and the press, both of which he seen as the weapons of Financial Capital. He wrote: “Gunpowder and the printing press belong together.”[13] Coincidentally, the two simultaneously appeared in Germany during the Gothic late period. The French revolution – the beginning of the Civilisation phase – witnessed a storm of pamphlets as well as a storm of steel with the first mass barrage of artillery at Valmy. The press is able to be produce propaganda in high qualities and distribute it over vast areas. The printed word can be a useful weapon to those who knew how to use it. “The war of articles, flysheets, spurious memoirs, that was waged from London on French soil against Napoleon is the first great example.”[14] Spengler described the media of his time as intellectual artillery, something which bombards the public so heavily that only a minority can achieve a sense of inward detachment which one needs to maintain a clear view of current events. “The Will-to-Power operating under a pure democratic disguise has accomplished its task so well that the object’s sense of freedom is actually by the most thorough-going enslavement that has ever existed.” [15]

The public perception of Truth is heavily dictated by the Press. Information that can be used to determine actual truth may gather and settle over time however “the public truth of the moment” [16] is what matters in regarding the success actions and influence on democracy. “No tamer has his animals more under his power.” [17]

Such things never happened in the classical world, which was lacking universal school education-the enlightenment idealists invoked this concept innocently however it lead the masses being herded like sheep into the era of mass party politics. “Those who have learned to read succumb [to the power of the press]”[18] Those advocating for freedom of the Press would “smooth the path for the coming Caesars of the world- press.” [19]

“The press today is an army,” he wrote. “…with carefully organised arms and branches, with journalists as officers, and readers as solders. But here as in every army, the solder obeys blindly and war-aims and operation-plans change without his knowledge. The reader neither knows, nor is allowed to know, the purposes for which he is used, nor even the role that he is to play. A more appalling caricature of freedom of thought cannot be imagined. Formerly a man did not dare to think freely. Now he dares, but cannot; his will to think is only a willingness to think to order, and this is what he feels as his liberty.” [20]

The rule of Money would come to an end when the age of Caesarism begins.
The swords victorious over money, the master-will subdues again the plunderer-will.”[21]

In his predictions of the future Spengler says that these new Caesars and their bands of followers would battle against the power of Plutocracy, as well as one another, for the control of civilisation in a series of wars which the masses do not understand. They will leave the large cities and return to the rural traditions that their ancestors attended to generations before. The faith and symbols of the old culture would come again as a “Second Religiousness.” [22]

The first volume of Decline of the West appeared on shelves at the end of the First World War and by 1919 it was a best seller. After its release Spengler began revising the first volume as well as work on the second which was realised in 1922.

Spengler’s ideas impressed the general public, however they were widely rejected by both academic Philosophers and Historians. According to his Biographer Henry Stuart Hughes, university professors warned their students against reading Spengler, claiming his ideas were too dangerous. Spengler received no credibility from the academia until 1924 when Edward Meyers spoke in favour of Decline at the 1924 German Historic Congress, however by then Spengler’s popularity had began to fade as a result of the rising political instability. Artists had fairly mixed views on the book, but it became fairly popular among the George circle influenced literary figures such as Ernst Jünger, H.P. Lovecraft and F. Scott Fitzgerald.

To the German public Spengler was a rather mysterious figure. He had appeared from nowhere with a long and complex best seller, he had no previous work and held no academic position. Those who met him described him as a friendly and soft spoken man, deeply interesting to talk to. The Success of the book brought Spengler out of poverty, he moved to a larger apartment that overlooked the Isar river, which he filled with book and paintings by the lesser Italian Masters. He lived a retiring life, and enjoyed long walks and mountain climbing. He would often speak with the local peasantry, among who’s company he forwent his habitual austerity and frequented a beer hall. He became well acquainted with the regulars. He refused a position offered to him at the University of Göttingen so that he could focus on his own work.

Many people came to visit Spengler, one of which was a young man called August Albers whom befriended the Philosopher and became his unofficial clerk. A few days after the assassination of Kurt Eisner, Albers asked Spengler about his thoughts on Socialism and found his friends thoughts so striking that he suggested writing them up in a book. The following December, Prussianism and Socialism was published.

In this short volume, critical of Marx, Spengler states that although German Conservatives and German Socialists seen one another as enemies they were in fact in basic agreement. The hostility between the two had allowed their mutual enemy – Parliamentary Democracy- to win Germany’s constitutional battle. If they put down their differences and realised their similarities they could unite and over throw the Wiemar Republic.

Spengler accuses Marx and Engels of developing socialism from an English perspective as a result of their analysis of the English working class, and advances Prussianism as the true form of Germanic Socialism. British-style Parliamentary Democracy was incompatible with German culture and to impose it on the nation was a form of treason. Despite selling rather well this book did not enjoy the same success as Decline, potentially because it crossed too many party lines.

In the 1920s – the height of his popularity – Spengler received many requests for articles and lectures. Spengler accepted several of these invitations. He spoke at the Nietzsche

Archive, but after disagreements regarding Elisabeth Förster Nietzsche’s antisemitism, Spengler distanced him self from the organisation. He was also invited to speak to a private audience of German aristocrats, however the exact details of this event remain unknown. Occasionally he was invited abroad. In 1923 he went to Holland to meet the Crown Prince of Germany and in 1924 he embarked on a speaking tour of Sweden, Finland and the Baltic States. The foreign office asked him to take note of Russian influence in these areas. He failed to gain access to the Soviet Union, but he did return to Italy.

Spengler suffered a slight stroke in 1927, causing him to decrease his work load. This was not the first time his health interfered with his work – the second volume of Decline was slowed down when the writer suffered a series of headaches. Spengler’s sister Hildegard and her daughter, also called Hildegard, moved into his apartment to help take care of him. At this time in his life he had more friends than ever, and even shared his living space with people who loved him. The once isolated Philosopher was now surrounded by people. Spengler never openly expressed his feelings. However, in a posthumously published book titled “Thoughts,” Spengler expressed a deep sense of loneliness which he acknowledged and accepted as a product of the path he chose for himself. It is perhaps the case that Spengler, as Nietzsche suggested, loved his fate.

Bad health did not stop Spengler, it only slowed him down. Less than a year after his stroke he took trips to both Spain and Italy and published a few fragments of his metaphysical work and in 1931 Spengler published perhaps his second most famous work: Man and Technics.

Written with a violently poetic tone, the book characterises Man as a beast of prey; “Acute thinkers, like Montaigne and Nietzsche have always known this.” [23]
As the title of the book would suggest, Spengler’s primary concern is the relationship of Man to Technology. He argues that technology should be regarded as the dominant psychological source animating the West. The dichotomy between Man – an organic being- and Technics – the realm of the artificial, can only result in alienation and trauma, as man becomes the slave of the tool he created. Technology has its own agenda and wishes to spread. As it propagates throughout less developed people and nations, Spengler argues that the inevitable result will be resentment of, competition with and hostility towards the West.

Man and Technics failed to impress the intellectuals after its initial release. However, the modern reader of Spengler is often deeply impressed by it.

Oswald Spengler opposed National Socialism. He delivered his first critique in a lecture titled “Political Duties of the German Youth.” The talk was delivered to an audience of Bavarian students on 26th February 1924, the same day Adolf Hitler began his trial for High Treason after his failed uprising. The talk scolded German youth for their lack of political realism. Both the National Socialists and their rivals had turned politics into a form of “intoxication” [24], inspiring the youth with “colours and badges, music and processions, theatrical vows and amateurish appeals and theories…” and stated that successful policy had “never yet had been made with the heart alone.” [25]

Spengler much preferred the Italian Fascists, who focused on “results” rather than “programs and parades.” [26] The talk became infamous among Youth Movements however Spengler complained they had not understood his message. In the year following the release of Man & Technics, Spengler’s publisher printed a popular edition of his political works. In the preface to this edition Spengler addressed National Socialism once more. He openly critiqued Adolf Hitler, stating that the leader of the national movement needed to be a hero – something the future Führer impersonated rather than embodied.

Spengler’s most infamous critique came in the form of a rather short volume titled “The Hour of Decision.” Work began on the project in the Autumn of 1932 and it was prematurely published in 1933, despite knowing that it would anger the nations new rulers. “Spengler criticised above all the illusory aspects of national socialism” [27] as well as the rising tide of race eugenics and antisemitism advocated by the new ruling party. The book also repeated this critique of Marxism as well as other ideas from Prussian Socialism and Man and Technics.

For Spengler the Jews were a product of the Magian culture and outsiders to the Faustian. In the middle ages there had been a great clash of heritage between the two when they simply could not understand one another. This lack of understanding was ended with the coming of the enlightenment, which broke down both barriers and cultural traditions on both sides.

The Führer didn’t respond to the complimentary copy the publishers had sent to him and the authorities were slow to react. Over twelve thousand copies were sold before they took alarm. The press attacked the book, but this only furthered sales. It was only three months latter, after a further 150 thousand copies were sold and in circulation, that the Nazis decided to ban the book as well as any mention of Spengler in press.

Spengler continued writing notes for a second volume of Hour of Decision, critiquing the actions of the government and life in Germany. One note chillingly predicts that one day the National Socialists would embark on their own Napoleonic invasion of Moscow. It was perhaps the result of a growing sense of pessimism that this second volume was never finished.

Despite the suppression of his work, Spengler continued to write. After a slight improvement in health and some encouragement from friends he published a few Historical Fragments in an incredibly obscure journal called The World as History (Die Welt all Geschichte), with very limited circulation. This would be the last of his work to be published in his life time.

During the early hours of May 8th 1936, Oswald Spengler died of a heart attack. He was 55 years old.
Spengler destroyed most of his notes and manuscripts, leaving little that could be published posthumously. The only unrealised work that he left behind was that which he was working on at the time of his death, such has his metaphysical project, a set of autobiographical memoirs, and a few scribbled notes.

At end end of Man & Technics Spengler writes: “Our duty is to hold onto a lost position, without hope, without rescue.” [28] Spengler upheld his position in the face of adversity, regardless of whether it came in the form of poverty, bad health or state tyranny.

After his death Spengler’s work fell into obscurity but did occasionally reemerge on the edges of public philosophical discussion before fading back out. Over the past few years there has been a renewed interest in Spengler’s work online. Last year marked the 100th anniversary of the publication of Decline of the West, and to mark this passing a newly formed Oswald Spengler society hosted a conference titled “Oswald Spengler in the age of Globalization” and awarded the first Oswald Spengler Prize to the French novelist Michel Houellebecq.

There is no telling how long this renewed popularity will last, however it seems clear at this moment in time that the ideas of Oswald Spengler can not be ignored.

Cover of the origional 2019 pamphlet.

Bibliography

[01] Comments
(Bob Corbett, October 2008)http://faculty.webster.edu/corbetre/personal/reading/spengler-decline.html

[02] Page 78, Oswald Spengler: A Critical Estimate – H. Stuart Hughes (Charles Scribner’s sons, New York, 1962)
[03] Page 78, Oswald Spengler: A Critical Estimate – H. Stuart Hughes (Charles Scribner’s sons, New York, 1962)

[04] Page 78, Oswald Spengler: A Critical Estimate – H. Stuart Hughes (Charles Scribner’s sons, New York, 1962)
[05] Page 78, Oswald Spengler: A Critical Estimate – H. Stuart Hughes (Charles Scribner’s sons, New York, 1962)

[06] Page 97, Decline of the West: An Abridged Edition – Oswald Spengler (Oxford University Press, 1991)
[07] Page 64, Man and Technics – Oswald Spengler
(Arktos Media Ltd, 2015)

[08] Page 268, Decline of the West: An Abridged Edition – Oswald Spengler (Oxford University Press, 1991)
[09] page 75, Oswald Spengler: A Critical Estimate – H. Stuart Hughes (Charles Scribner’s sons, New York, 1962)

[10] Page 270, Decline of the West: An Abridged Edition – Oswald Spengler (Oxford University Press, 1991)
[11] Page 375, Decline of the West: An Abridged Edition – Oswald Spengler (Oxford University Press, 1991)

[12] Page 414, Decline of the West: An Abridged Edition – Oswald Spengler (Oxford University Press, 1991)
[13] Page 394, Decline of the West: An Abridged Edition – Oswald Spengler (Oxford University Press, 1991)
[14] Page 394, Decline of the West: An Abridged Edition – Oswald Spengler (Oxford University Press, 1991)

[15] Page 394, Decline of the West: An Abridged Edition – Oswald Spengler (Oxford University Press, 1991)
[16] Page 394, Decline of the West: An Abridged Edition – Oswald Spengler

(Oxford University Press, 1991)
[17] Page 395, Decline of the West: An Abridged Edition – Oswald Spengler (Oxford University Press, 1991)
[18] Page 395,Decline of the West: An Abridged Edition – Oswald Spengler (Oxford University Press, 1991)
[19] Page 395, Decline of the West: An Abridged Edition – Oswald Spengler (Oxford University Press, 1991)
[20] Page 395, Decline of the West: An Abridged Edition – Oswald Spengler (Oxford University Press, 1991)
[21] Page 414, Decline of the West: An Abridged Edition – Oswald Spengler (Oxford University Press, 1991)
[22] Page 391, Decline of the West: An Abridged Edition – Oswald Spengler (Oxford University Press, 1991)
[23] Page 33, Man and Technics – Oswald Spengler
(Arktos Media Ltd, 2015)
[24] Page 124, Oswald Spengler: A Critical Estimate – H. Stuart Hughes
(Charles Scribner’s sons, New York, 1962)
[25] Page 124, Oswald Spengler: A Critical Estimate – H. Stuart Hughes (Charles Scribner’s sons, New York, 1962)
[26] Page 124, Oswald Spengler: A Critical Estimate – H. Stuart Hughes (Charles Scribner’s sons, New York, 1962)
[27] Page 218, The Conservative Revolution in Germany1918-1932 Armin Mohler & Karlheinz Weissmann
(Radix/Washington Summit Publishers, 2018)
[28] Page 77, Man and Technics – Oswald Spengler
(Arktos Media Ltd, 2015)